Showing posts with label Jimmy Page. Show all posts
Showing posts with label Jimmy Page. Show all posts

Friday, August 5, 2011

It Might Get Loud - Film


It Might Get Loud is a documentary by filmmaker Davis Guggenheim. It explores the history of the electric guitar, focusing on the careers and styles of Jimmy Page, The Edge, and Jack White. The film received a wide release on August 14, 2009 in the U.S. by Sony Pictures Classics.
The film documents the varied playing and recording styles of guitarists Jimmy Page, The Edge, and Jack White.

Page's history with guitar traces back to his childhood when he played in a skiffle band. After desiring to do more than play pop music, Page "retires" from guitar playing to attend art school. He later revives his music career as a session guitarist, only to be discouraged by the realization that he is playing others' music and stifling his own creativity. At that point, Page begins to write and perform in the bands The Yardbirds and Led Zeppelin. Page discusses the skiffle and blues music that influenced him at the time. For many of Page's scenes, he is seen visiting Headley Grange, where several songs from Led Zeppelin IV were recorded, and in one scene, explains how the distinctive drum sound from "When the Levee Breaks" was achieved from the acoustics of the house.

The Edge's history with guitar traces back to building a guitar with his brother Dik and learning to play. In the film, he visits Mount Temple Comprehensive School and recalls forming U2 in his childhood. He also demonstrates his playing technique, in how he eliminates certain strings from chords, as well as his use of echo and delay effects to "fill in notes that aren't there". He also discusses his purchase of his signature guitar, the Gibson Explorer, in New York City and the punk music that influenced him. In other scenes, he plays early demo tapes of "Where the Streets Have No Name", discusses his inspiration for "Sunday Bloody Sunday", and spends time experimenting with guitar effects for the riffs to "Get on Your Boots".

Jack White traces his musical background to his childhood in a rundown neighborhood of Detroit. Living with two drum sets and a guitar occupying his room and sleeping on a piece of foam due to taking out his bed for more room for his music, White struggled to find a musical identity, as it was "uncool" to play an instrument and his nine siblings all shared a musical propensity. His strong interest in blues and roots music opposed the hip hop and house music popular in the predominantly Latino south Detroit neighbourhood at the time. White eventually finds a niche in a garage rock band called The Upholsterers while working as an upholsterer, which paves the way for his future bands The White Stripes and The Raconteurs. White's philosophy is to limit and challenge himself in various ways to force creative approaches to recording and playing.

The touchstone of the film is a meeting of the three guitarists dubbed "The Summit". In these scenes, the three guitarists not only converse about their influences and techniques, but they also play each other's songs together, showing each other how to play "I Will Follow", "Dead Leaves and the Dirty Ground", and "In My Time of Dying". The film concludes with the men playing an impromptu cover version of The Band's "The Weight" on acoustic guitars.
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Monday, June 6, 2011

You Shook Me - Jimmy Page - Black Crowes


Of course a Willie Dixon song and first played by Muddy Waters band and a released few months prior to "Led Zep I" by the the Jeff beck Group on "Truth" showing the huge influence on contemporary rock music by the original bluesmen.

Live at the Greek: Excess All Areas is a double live album by Jimmy Page and The Black Crowes, released by musicmaker.com on 29 February 2000 and later by TVT Records on 4 July 2000. In October 1999, Page teamed up with The Black Crowes for a two-night performance of material from the Led Zeppelin catalogue and old blues and rock standards. Due to contractual problems with their record company, The Black Crowes were unable to release any of their own songs which were played at the Greek shows. These songs, on which Jimmy Page played with the Crowes, included: "Wiser Time", "No Speak No Slave", "Remedy", "Hard to Handle", and "She Talks to Angels". The double CD was released in stores by TVT Records on 4 July 2000, and featured an enhanced Quicktime video and photographs taken during the concert. The Japanese version of the album also features "Misty Mountain Hop" and "In the Light", recorded in 2000.

Friday, May 27, 2011

Since I've Been Loving You - Led Zeppelin - Everyone has their spot!!


In 1966, Jimmy Page joined the blues-influenced rock band The Yardbirds to replace bassist Paul Samwell-Smith. Shortly after, Page switched from bass to lead guitar, creating a dual lead-guitar lineup with Jeff Beck. Following the departure of Beck in October 1966, The Yardbirds, who were tired from constant touring and recording, began to wind down. Page wanted to form a supergroup with himself and Beck on guitars, and The Who's rhythm section—drummer Keith Moon and bassist John Entwistle. Vocalists Steve Winwood and Steve Marriott were also considered for the project. The group never formed, although Page, Beck and Moon did record a song together in 1966, "Beck's Bolero", which is featured on Beck's 1968 album, Truth. The recording session also included bassist-keyboardist John Paul Jones, who told Page that he would be interested in collaborating with him on future projects.

The Yardbirds played their final gig in July 1968 at Luton College of Technology in Bedfordshire, England. They were still committed to performing several concerts in Scandinavia, so drummer Jim McCarty and vocalist Keith Relf authorised Page and bassist Chris Dreja to use the Yardbirds name to fulfill the band's obligations. Page and Dreja began putting a new line-up together. Page's first choice for lead singer, Terry Reid, declined the offer, but suggested Robert Plant, a Stourbridge singer for the Band of Joy. Plant eventually accepted the position, recommending drummer John Bonham from nearby Redditch. When Dreja dropped out of the project to become a photographer (he would later take the photograph that appeared on the back of Led Zeppelin's debut album), John Paul Jones, at the suggestion of his wife, contacted Page about the vacant position. Being familiar with Jones' credentials, Page agreed to bring in Jones as the final piece.

The group played together for the first time in a room below a record store on Gerrard Street in London. Page suggested that they try playing "Train Kept A-Rollin'", a rockabilly song popularised by Johnny Burnette that had been given new life by the Yardbirds. "As soon as I heard John Bonham play," recalled Jones, "I knew this was going to be great... We locked together as a team immediately." Shortly afterwards, the group played together on the final day of sessions for the P.J. Proby album, Three Week Hero. The album's song "Jim's Blues" was the first studio track to feature all four members of the future Led Zeppelin. Proby recalled, "Come the last day we found we had some studio time, so I just asked the band to play while I just came up with the words... They weren't Led Zeppelin at the time, they were the New Yardbirds and they were going to be my band."

The band completed the Scandinavian tour as The New Yardbirds, playing together for the first time in front of a live audience at Gladsaxe Teen Clubs in Gladsaxe, Denmark, on 7 September 1968. Later that month, the group began recording their first album, which was based upon their live set at the time. The album was recorded and mixed in nine days, with all costs covered by Page himself. After the album's completion, the band was forced to change their name after Chris Dreja issued a cease and desist letter, stating that Page was only allowed to use the New Yardbirds name for the Scandinavian dates. One account of the band's naming has it that Keith Moon and John Entwistle, drummer and bassist for The Who, respectively, suggested that a possible supergroup containing themselves, Jimmy Page, and Jeff Beck would go down like a "lead balloon", a traditional joke describing disastrous results. The group deliberately dropped the 'a' in lead at the suggestion of their manager, Peter Grant, to prevent "thick Americans"[21] from pronouncing it "leed". The word "balloon" was transformed into "zeppelin", perhaps an exaggeration of the humour, and to Page the name conjured the perfect combination of heavy and light, combustibility and grace.
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Tuesday, April 19, 2011

Tales of Travel Woe


In the seventies Super Stars like Leon Russell drove a van... Leon...a super Star? Oh Yeah. Man had an entourage that included Leon Russell – vocals, guitar, piano, organ, Jesse Ed Davis – guitar, Claudia Lennear – vocals, Jim Price – organ, Jim Keltner – drums, Jim Gordon – drums, Barry Beckett – organ, Chuck Blackwell – drums, Joey Cooper – guitar, vocals, John Gallie – organ, Roger Hawkins – drums, David Hood – bass, Jimmy Johnson – guitar, Kathi McDonald – vocals, Don Preston – guitar, vocals, Carl Radle – bass, Chris Stainton – guitar and Jimmy Page. Not to regurgitate just to talk but this band is incredible. Jim Gordon and Carl Radle were both Dominos in Eric and Duane's band.Roger Hawkins band turned into The Band (earlier featuring Duane Allman), Chris Stainton probably played as session piano for every brit super player on the planet... I could go on. Lets just say... the road life ani't easy.
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